Encounters in Intercultural Communication

By Dr Bibiana Chan

Encounters in Intercultural Communication: Creativity, Emotion, and Mental Health (A Chinese Australian Perspective)

Traditional Chinese Calligraphy and paper cutting.

Growing up in a traditional Chinese cultural environment, I learned early that emotional restraint was considered a virtue. Expressions of strong emotion—whether joy expressed through hearty laughter or sorrow released through tears—were often discouraged. The guiding belief was that composure reflected maturity and stability. Yet, interestingly, while Chinese social norms discouraged overt emotional expression, Chinese artistic traditions—music, poetry, painting—are profoundly emotional, often leaning toward melancholy. Traditional Chinese music, for example, frequently carries a plaintive, longing tone. One might say that emotion, when not permitted to surface through speech, found its way into art.

The great poets of the Tang Dynasty illustrate this paradox. Li Bai (李白), flamboyant and larger-than-life, praised the beauty and grandeur of the world with exuberance. Du Fu (杜甫), in contrast, wrote with deep sorrow and political anguish, chronicling suffering and instability. Their work shows how Chinese culture has long held space for emotional intensity—just not always through direct interpersonal communication.

My own childhood education reflected another facet of Chinese cultural values: discipline through imitation. As a primary and secondary student, I practised Chinese calligraphy diligently. The goal was perfection through copying the master’s stroke by stroke. While this method instilled patience and perseverance, it also left little room for experimentation or self-expression. Curiosity, spontaneity, or trying something new—hallmarks of creativity—were sometimes viewed as rebellious or disruptive. Conformity ensured social harmony, but it could also suppress a young person’s willingness to step outside the comfort zone.

Years later, in an Australian context that prizes individuality and initiative, I realised how cultural values shape perceptions of leadership. For many second-generation migrants, the Chinese virtue of “willingness to compromise for the collective good” can be misread as passivity or a lack of confidence. This tension points to a deeper intercultural communication challenge: behaviours shaped by one cultural system may be interpreted very differently in another.

A well-known poem ‘Morning in Spring’

Creativity, Expression, and Mental Health

From a mental health perspective—drawing also on my academic background in anthropology and psychology—creativity plays a vital role in emotional wellbeing, especially for those raised with emotional restraint. Creativity offers an alternative language. When words are constrained by cultural norms, art becomes a psychological release valve. Whether through music, dance, calligraphy, or poetry, many Chinese people historically expressed centuries of unspoken emotion through the Four Arts (琴棋書畫 – zither, chess, calligraphy, painting).

For me personally, creative expression through floral arrangements and botanical painting has been a powerful source of solace and healing. Working with flowers at the Community Flower Studio (CFS) has been more than an artistic pursuit—it has been a journey into mindfulness and emotional connection. The delicate act of arranging petals or carefully painting the subtle veins on a leaf allows a form of emotional release that transcends language. In moments of grief or stress, these creative acts help me access feelings that were once hard to articulate, offering calm and grounding.

At CFS, we see this phenomenon with many young people, especially those from culturally and linguistically diverse (CALD) backgrounds. Our workshops—led by young people for young people—use floral art as a bridge to mental wellbeing. Participants often share how arranging flowers or engaging in botanical painting helps to calm them down and express emotions they cannot easily say out loud, breaking down intercultural barriers around emotional openness. The creative process becomes a shared language, fostering community and resilience.

Moreover, the “Petal-it-Forward” campaign, where flower bunches are given to people experiencing mental health challenges, symbolizes how small acts of creativity and kindness can foster connection across cultures. It’s a reminder that creative expression is not only personal but also social—building empathy and understanding within diverse communities.

Gu-Zhang performance at CFS’ 2025 LNY Family Fun Fair

Contemporary psychology echoes this. The concept of being “in the zone” or experiencing “flow,” described by Mihaly Csikszentmihalyi, parallels the Chinese idea of 忘我—“forgetting the self.” Whether writing calligraphy with a brush, moving with ribbons in traditional dance, or arranging flowers with focused care, the person becomes fully absorbed, finding calm, meaning, and emotional release.

For individuals—especially migrants—who have carried suppressed emotions across cultures, creative expression can become a bridge to healing. It reconnects them with feelings that were once discouraged and allows for communication that transcends linguistic or cultural barriers.

Intercultural Communication Through Creativity

Creativity therefore becomes an intercultural tool. It enables communication between cultural worlds—between emotional restraint and emotional expression, between conformity and individuality, between the Chinese emphasis on harmony and the Australian emphasis on authenticity. In my community mental health work, I see repeatedly how creativity helps young people articulate identity, negotiate cultural expectations, and manage stress. It allows cross-cultural understanding to flourish in ways that spoken language alone cannot achieve.

Traditional practice of Chinese Calligraphy on red paper with gold glitter for Lunar New Year.

References

Csikszentmihalyi, M. (1990). Flow: The psychology of optimal experience. Harper & Row.

Chung, R. C.-Y., & Bemak, F. (2012). Enhancing resilience through culturally relevant creativity and expression in immigrant youth. Journal of Multicultural Counseling and Development, 40(1), 15–28. https://doi.org/10.1002/j.2161-1912.2012.00002.x

Fung, A. L. C., & Yau, O. H. M. (2020). Traditional Chinese values and emotional restraint: Impact on mental health among Chinese migrants. Asian Journal of Psychiatry, 48, 101869. https://doi.org/10.1016/j.ajp.2020.101869

Kirmayer, L. J. (2007). Psychotherapy and the cultural concept of the person. Transcultural Psychiatry, 44(2), 232–257. https://doi.org/10.1177/1363461507078282

Lau, J. T. F., & Kim, J. H. (2018). The role of arts and creative expression in mental health recovery: A qualitative study of Chinese participants. International Journal of Mental Health Nursing, 27(1), 112–120. https://doi.org/10.1111/inm.12304

Markus, H. R., & Kitayama, S. (1991). Culture and the self: Implications for cognition, emotion, and motivation. Psychological Review, 98(2), 224–253. https://doi.org/10.1037/0033-295X.98.2.224

Sue, D. W., & Sue, D. (2016). Counseling the culturally diverse: Theory and practice (7th ed.). Wiley.

Tseng, W. S. (2001). Handbook of cultural psychiatry. Academic Press.

Wang, Q. (2006). Emotion and culture in autobiographical narratives: A comparison between Chinese and American young adults. Memory, 14(1), 101–111. https://doi.org/10.1080/09658210544000126

Zhou, X., & Gatewood, R. D. (2017). Creativity and culture: Exploring the role of cultural values in creative expression. Journal of Cross-Cultural Psychology, 48(9), 1339–1354. https://doi.org/10.1177/0022022117729406

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